John Dryden's poem (sometimes it's called an ode) is rather declamatory for modern tastes, and sometimes it does lurch about a bit.
Still, I don't think anyone can beat it for sheer enthusiasm.
A Song for St. Cecilia's Day, 1687
| FROM harmony, from heavenly harmony, | |
| This universal frame began: | |
| When nature underneath a heap | |
| Of jarring atoms lay, | |
| And could not heave her head, | |
| The tuneful voice was heard from high, | |
| 'Arise, ye more than dead!' | |
| Then cold, and hot, and moist, and dry, | |
| In order to their stations leap, | |
| And Music's power obey. | |
| From harmony, from heavenly harmony, | |
| This universal frame began: | |
| From harmony to harmony | |
| Through all the compass of the notes it ran, | |
| The diapason closing full in Man. | |
| What passion cannot Music raise and quell? | |
| When Jubal struck the chorded shell, | |
| His listening brethren stood around, | |
| And, wondering, on their faces fell | |
| To worship that celestial sound: | |
| Less than a God they thought there could not dwell | |
| Within the hollow of that shell, | |
| That spoke so sweetly, and so well. | |
| What passion cannot Music raise and quell? | |
| The trumpet's loud clangour | |
| Excites us to arms, | |
| With shrill notes of anger, | |
| And mortal alarms. | |
| The double double double beat | |
| Of the thundering drum | |
| Cries Hark! the foes come; | |
| Charge, charge, 'tis too late to retreat! | |
| The soft complaining flute, | |
| In dying notes, discovers | |
| The woes of hopeless lovers, | |
| Whose dirge is whisper'd by the warbling lute. | |
| Sharp violins proclaim | |
| Their jealous pangs and desperation, | |
| Fury, frantic indignation, | |
| Depth of pains, and height of passion, | |
| For the fair, disdainful dame. | |
| But O, what art can teach, | |
| What human voice can reach, | |
| The sacred organ's praise? | |
| Notes inspiring holy love, | |
| Notes that wing their heavenly ways | |
| To mend the choirs above. | |
| Orpheus could lead the savage race; | |
| And trees unrooted left their place, | |
| Sequacious of the lyre; | |
| But bright Cecilia rais'd the wonder higher: | |
| When to her organ vocal breath was given, | |
| An angel heard, and straight appear'd | |
| Mistaking Earth for Heaven. | |
| GRAND CHORUS* | |
| The spheres began to move, | |
| And sung the great Creator's praise | |
| To all the Blest above; | |
| So when the last and dreadful hour | |
| This crumbling pageant shall devour, | |
| The trumpet shall be heard on high, | |
| The dead shall live, the living die, | |
| And Music shall untune the sky! If this isn't enough magnificence, Handel set the words to music. And here it is, for St Cecilia, the patron saint of music. https://www.youtube.com/watch?v=QOGGZ3mlC48&list=PL12DC72B57E09D451&index=2) I'm hoping not to hear any trumpets on high just yet, however magnificent, though. Word To Use Today: Cecilia. This name comes from the Roman family name Caecilius, which comes from the Latin caecus, blind. *How splendid to have something with a Grand Chorus! |
No comments:
Post a Comment
All comments are very welcome, but please make them suitable for The Word Den's family audience.